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Frozen (2. 01. 3 film) - Wikipedia. Frozen is a 2. 01. American 3. Dcomputer- animatedmusicalfantasy film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. Inspired by Hans Christian Andersen's fairy tale . It features the voices of Kristen Bell, Idina Menzel, Jonathan Groff, Josh Gad and Santino Fontana. Christophe Beck, who had worked on Disney's award- winning short Paperman (2. Robert Lopez and Kristen Anderson- Lopez wrote the songs.
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Frozen premiered at the El Capitan Theatre in Hollywood, California, on November 1. It was met with strongly positive reviews from critics and audiences, with some film critics considering Frozen to be the best Disney animated feature film since the studio's renaissance era. It ranks as the highest- grossing animated film of all time, the third- highest- grossing original film of all time, the ninth- highest- grossing film of all time, the highest- grossing film of 2. Japan. With over 1. United States. By January 2. Frozen had become the all- time best- selling Blu- ray Disc in the United States.
It is set for release on November 2. After Elsa accidentally injures Anna with her magic, their parents, the King and Queen, rush both siblings to a colony of trolls led by Grand Pabbie. He heals Anna, but alters her memories to remove traces of Elsa’s magic, warning Elsa that she must learn to control her powers. The King and Queen isolate both sisters within the castle. Elsa shuts out Anna, causing a rift between them. Elsa suppresses her magic rather than mastering it, causing her to become more insecure. When the sisters are teenagers, their parents die at sea during a storm.
When Elsa turns twenty- one, she is to be crowned queen of Arendelle. She is terrified that the kingdom's citizens might find out about her powers and fear her.
The castle gates open to the public and visiting dignitaries for the first time in years. Amongst them is the scheming Duke of Weselton, and the dashing Prince Hans of the Southern Isles, with whom Anna falls head- over- heels in love.
Elsa’s coronation happens without a hitch, but she still remains distant from Anna. When Hans proposes to Anna, Elsa objects, unleashing her powers before the court.
The Duke brands her a monster. Elsa flees the kingdom, but her suppressed magic engulfs Arendelle in an eternal winter. Reaching the North Mountain, Elsa discards her crown and creates a palace of ice in which to live a solitary life. Anna ventures out to find Elsa and end the winter, leaving Hans in charge. She gets lost, collecting supplies at Wandering Oaken's shop. She meets an ice harvester, Kristoff, and his reindeer Sven, convincing them to escort her to the mountains. An attack by wolves leads to Kristoff’s sleigh being destroyed.
On foot, they meet Olaf, a cheerful snowman brought to life unknowingly by Elsa, who offers to lead them to her. When Anna’s horse returns to Arendelle, Hans sets out to find her, accompanied by the Duke's minions, who have secret orders to assassinate Elsa.
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Reaching the ice palace, Anna reunites with Elsa, but when she reveals what has become of Arendelle, Elsa becomes agitated and accidentally freezes Anna's heart. She then summons a giant snow creature, Marshmallow, who chases Anna, Kristoff, and Olaf away. Anna's hair begins turning white, so Kristoff takes her to meet the trolls, his adoptive family. Grand Pabbie reveals Anna will freeze solid unless . Kristoff races Anna back home so Hans can give her true love's kiss. Hans and his men reach Elsa's palace, defeating Marshmallow and taking her prisoner.
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Anna is delivered to Hans, but rather than kissing her, he instead reveals that he has actually been plotting to seize the throne of Arendelle by eliminating both sisters. He locks Anna in a room to die, and manipulates the dignitaries into believing that Elsa killed her.
He orders the queen's execution, only to discover she has escaped her cell. Olaf frees Anna and they venture into the blizzard outside to meet Kristoff, whom Olaf reveals is in love with her. Hans confronts Elsa outside, claiming she killed Anna, causing Elsa to break down. Anna spots Hans about to kill Elsa; she leaps in the way and freezes solid, stopping Hans. Brokenhearted, Elsa hugs and mourns over her sister, who suddenly thaws, her heroism constituting .
Realizing her magic is controlled by love, Elsa ends the winter, giving Olaf his own snow flurry to survive the summer. Both Hans and the Duke are removed from the kingdom. Anna and Kristoff become a couple, while both sisters are reunited, with Elsa promising never to close the gates again.
In a post- credits scene, Marshmallow is shown in Elsa's ice palace, happily crowning himself as its sole inhabitant. Voice cast. However, the studio encountered difficulty with The Snow Queen, as it could not find a way to adapt and relate the Snow Queen character to modern audiences.
Even as far back as the 1. Snow Queen character proved to be too problematic. After the United States entered World War II, the studio began to focus on making wartime propaganda, which caused development on the Disney–Goldwyn project to grind to a halt in 1. All of Andersen's fairy tales were, instead, told in song and ballet in live- action, like the rest of the film. It went on to receive six Academy Award nominations the following year. Back at Disney, The Snow Queen, along with other Andersen fairy tales (including The Little Mermaid), were shelved.
For us the breakthrough came when we tried to give really human qualities to the Snow Queen. When we decided to make the Snow Queen Elsa and our protagonist Anna sisters, that gave a way to relate to the characters in a way that conveyed what each was going through and that would relate for today's audiences. This film has a lot of complicated characters and complicated relationships in it. There are times when Elsa does villainous things but because you understand where it comes from, from this desire to defend herself, you can always relate to her. There is snow and there is ice and there is a Queen, but other than that, we depart from it quite a bit.
We do try to bring scope and the scale that you would expect but do it in a way that we can understand the characters and relate to them. Even before then, Harvey Fierstein pitched his version of the story to Disney's executives, but was turned down. But the characters didn't resonate. They aren't multi- faceted.
Which is why John felt that audiences wouldn't really be able to connect with them. At that stage, the first major breakthrough was the decision to rewrite the film's protagonist, Anna (who was based on the Gerda character from The Snow Queen), as the younger sibling of Elsa, thereby effectively establishing a family dynamic between the characters. We didn’t know how or why.
But you have to earn that ending. If you don't, it will suck. In the original script the songwriters first saw, Elsa was evil from the start; she kidnapped Anna from her own wedding to intentionally freeze her heart, then later descended upon the town with an army of snowmen with the objective of recapturing Anna to freeze her heart properly. Forget villain. Just what it would feel like. And this concept of letting out who she is. It’s not a perfect thing, but it's powerful.
So that was when we really found the movie and who these characters were. And with Elsa he's a hero. Because the minute it is . No more than that. No less than that.
At the story meeting where Ripa pitched his take on the story, the response was silence until Lasseter said, . But that was close. In hindsight, piece of cake, but during, it was a big struggle. Their posture was too good and they were too well- spoken, and I feel like I really made this girl much more relatable and weirder and scrappier and more excitable and awkward.
I'm really proud of that. I'm really proud of that.
It has everything, but it's essentially about sisterhood. I think that these two women are competitive with one another, but always trying to protect each other – sisters are just so complicated. It's such a great relationship to have in movies, especially for young kids. Menzel had formerly auditioned for Tangled, but did not get the part.
However, Tangled's casting director, Jamie Sparer Roberts, preserved a recording of Menzel's performance on her i. Phone, and on the basis of that, asked her to audition along with Bell for Frozen. It was important to see the scope and scale of Norway, and important for our animators to know what it's like. That problem was not adequately solved until November 2. The animators themselves may work on multiple characters but it's always under one lead.
I think it was different on Tangled, for example, but we chose to do it this way as we wanted one person to fully understand and develop their own character and then be able to impart that to the crew. Hyrum Osmond, the supervising animator on Olaf, is quiet but he has a funny, wacky personality so we knew he'd bring a lot of comedy to it; Anna's animator, Becky Bresee, it's her first time leading a character and we wanted her to lead Anna.
This helped her discover elements that made the scene feel real and believable. According to him, it lent a hyper- reality to the film: .
From a design perspective, since I was stressing the horizontal and vertical aspects, and what the fjords provide, it was perfect. We encased the sibling story in scale. Mc. Cord's work in The Sound of Music was another major influence for Giaimo. It was also Giaimo's idea that Frozen should be filmed in the Cinema.
Scope aspect ratio, which was approved by Lasseter. Giaimo also wanted to ensure that Norway's fjords, architecture and rosemaling folk art, were critical factors in designing the environment of Arendelle. Giaimo, whose background is in traditional animation, said that the art design environment represents a unity of character and environment and that he originally wanted to incorporate saturated colors, which is typically ill- advised in computer animation. Peter Del Vecho explained that .